randian | 燃点

When I started drawing ordinary objects, I thought they were pretty stable in the world. I assumed that they would not change over time. Things should look like what they do and one should be able to understand the function of an object by its appearance... >> Read more

I stood at the entrance to Jakarta’s Museum of Fine Arts and Ceramics one fine day, and instantly I was transported to another time in a past every born-and-bred Jakartan of a certain age would remember. >> Read more

(June 26th, 2018, Shanghai) For the first edition of CONDO Shanghai, >> Read more

March 9, 2018, Shanghai—From March 19, 2018 to June 17, 2018, >> Read more

As Groys notes in the opening passage of his essay, “On the New”, “We experience art history first of all as represented in our museums.” One might add, to be glib with Marx—and why not? —, secondly as farce. >> Read more

We still seem to believe that one can disclose the most inert meanings of the world through signs, language, symbols and general concept. However, such tendency could be a habitual mistake or a collective hypnosis. If so, could there be a direct way to comprehend the Real and even broaden the experience in to the […] >> Read more

This piece of work shows the methodology Liu Xinyi uses to produce knowledge: he glides from one image to another, connecting things that do not belong to the same category. >> Read more

Chronus Art Center is pleased to announce the much-anticipated presentation of Datumsoria: An Exhibition of LIU Xiaodong, Carsten Nicolai, and Nam June Paik. >> Read more

Yao Qingmei was born in Wenzhou in 1982. She graduated from Limoges-Aubusson in 2011, >> Read more

>> Read more